| The memorial remembers those who suffered and died in the
Vietnam War from 1962 to 1973. The campaign for a Vietnam memorial dates
from the 'Welcome Home Parade' held in Sydney on 3 October 1987 and
dedication took place exactly five years later.

It is the joint work of architect Peter Tonkin and sculptor Ken
Unsworth and responds to the design competition requirements to express
'the link between the Australian Vietnam Forces and the original ANZAC
Force' and also to represent 'the controversy at home'. The external
design was limited by ceremonial and parade considerations and by other
memorials along Anzac Parade. The designers wanted to incorporate the
four elements of earth, wind, water and fire. The domed shape of the
internal floor represents the earth and the whole structure is open to
the wind. A moat defines an island across the water and removed from the
outside world. Unfortunately, cost restraints and the fire risk meant a
permanent flame wasn't permitted so fire is represented by the sunlight
across the face of the memorial.

The exterior is constructed of three cast-in-situ prestressed
concrete forms or stelae, which project 9.5 metres above the base
podium. ('stelae' is Greek for 'headstones'.) Each stele is
tapered and inclined to the centre of the memorial. In the original
design the stelae had flat surfaces but the designers decided that
twisting them would invoke a feeling of movement and give them light and
shadow. They are tapered and inclined to the centre, symbolising
commemoration and contemplation. Suspended from the stelae and forming
the centrepiece of the memorial is a granite ring or halo symbolising
the spirits of the dead being lifted from the earth. Sealed within one
of the stones of the ring is a scroll bearing the names of the 508
Australians who died in the conflict.
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On the inner face of the western stele is etched a larger than life
representation of members of the 7th Battalion Royal Australian Regiment
being airlifted by U.S. helicopters from the fishing village of
Lang Phuoc Hai to return to Nui Dat.
It is a blow-up of an Army public
relations photo taken by Sgt. Mike Coleridge and preserves a typical
real life image of the conflict. The image was engraved in situ on 400
pieces of variable sized, triangular South Australian Imperial Black
granite.
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This is the photo
that was reproduced |
Eighty-one one metre photographs were stuck on top of two
layers of sandblasting tape and, in a very delicate operation, an
engraver's tool was used to cut through the photographs and two layers
of tape without touching the stone. The exposed stone was
sandblasted to a depth of 1 mm to create the grey effect and the tape
was then removed, leaving behind the image.
The northern stele has fixed to it a series of quotations in
stainless steel lettering. The designers originally suggested half a
dozen quotations which they thought would add to the interior and lessen
the impact of blank walls. The committee agreed with the idea but wanted
more than six so they called for suggestions from veterans and from the
many submissions selected 34 which preserve the language and slang of
the war. No attribution for the inscriptions is provided on the wall as
the assessors felt that this best served the sense of the consistent and
equal value to be placed upon each quotation. Each letter is made of 3mm
gauge stainless steel, 65mm high using a Futura typeface.
The inner wall of the southern stele is left as plain unadorned
concrete and functions as a site of personal contemplation, separate but
not divorced from the specific memories recalled by the other walls. In
front of this wall and off centre of the entire internal space is the
'Memorial Stone' - a monolith of black granite, which functions in part
as an altar, in part as the earthbound component of the contemplative
inspirational function.
The inner space or podium is tiled in black granite and is bounded by
a moat.
To the north there is a small forecourt area covered in gravel, to
the rear of which is a wide flight of stairs leading to the exterior of
the northern stele, and beyond that to an entrance ramp at the north
western edge of the central structure. Looking to the south there
is a larger forecourt area also surfaced in gravel. At the southern edge
of this forecourt there are three 9-metre flagpoles. At the rear or
western edge there is a retaining wall with a low shelf. This is an area
designated for the laying of wreaths. Surmounting this low wall are
large steel letters spelling VIETNAM. Further to the south is a
landscaped turf ramp, also leading from street level to the level of the
plinth and to the rear south-western ramp.
In the landscaped turf area surrounding the central building there
are three concrete memorial 'seats' At each end of these memorials
is the name of one of the six Australians recorded as Missing In Action.
Inscriptions on inner face of
northern stele
THE
RAAF DUST-OFF PILOTS HAD NO LIGHT AND SHOWED GREAT SKILL IN COMING DOWN.
SUNRAY
WAS DIRECTING THE LIGHTFIRE TEAM - BUSHRANGERS - FROM HIS POSSUM.
THE
PART PLAYED BY ARTILLERY WAS DECISIVE.
WHAT
WE DID ON THE BATTLEFIELD IN THE MORNING WAS ON OUR LIVING ROOM TV
SCREENS THAT NIGHT.
THE
NVA HUGGED OUR WITHDRAWAL AND ENGAGED THE DUST-OFF CHOPPERS.
THE
TANKS WENT AHEAD OF THE INFANTRY IN APC'S.
THE
EFFORT REQUIRED OF NURSING SISTERS INDICATES THEIR TOUR OF DUTY SHOULD
BE REDUCED
HOBART
WAS BRACKETED REPEATEDLY BY MEDIUM TO LARGE SPLASHES.
THE
AUSTRALIAN ARMY WAS LIKE THE POST-VERSAILLES GERMAN ARMY-MEN IN THE
RANKS COULD HAVE BEEN LEADERS
GENERAL
WESTMORELAND
THE
ENEMY JOINED OUR COMMAND RADIO NET, THREW COLOURED
SMOKE AND ALMOST SUCKED THE CO INTO A LANDING.
BIG
CONTACT TONIGHT IN THE BINH BA RUBBER. TROOPS HIT WITH RPG'S. READY
REACTION FORCE WENT OUT IN APC'S.
NOBODY'S
GOT 365 DAYS AND A WAKEY TO GO.
AN
EXTREME EFFORT WAS DEMANDED FROM NURSING STAFF ON THOSE OCCASIONS
-
OVER 24 HOURS ON DUTY WAS DONE ON MOST OF THE DAYS MENTIONED.
THE
TEAM.
MAGPIE
35, HIT MY SMOKE.
PERTH
ENGAGED FIVE C D SITES AS PRIMARY TARGETS, PROVIDED SUPPRESSION FIRE AND
STOPPED A CROSS LOT ON
HON
ME ISLAND FROM RADIATING.
CONTACT
- STAND BY DUST OFF.
THE
DECISION TO SEND AN AUSTRALIAN BATTALION TO VIETNAM IS A GRAVE ONE.
THESE ARE
INESCAPABLE
OBLIGATIONS WHICH FALL ON US BECAUSE OF OUR POSITION, TREATIES AND
FRIENDSHIP.
THERE
WAS NO ALTERNATIVE BUT TO RESPOND AS WE HAVE.
AUSTRALIA'S
LAST COMBAT FORCES LEFT SOUTH VIETNAM YESTERDAY ON BOARD HMAS SYDNEY,
ENDING 10 YEARS OF
AUSTRALIAN INVOLVEMENT IN THE WAR.
I
DON'T SEEM TO HAVE MANY FRIENDS SINCE I CAME HOME. IF YOU WEREN'T THERE,
YOU CAN'T UNDERSTAND.
MORE
THAN EVER BEFORE TV SHOWED THE TERRIBLE HUMAN SUFFERING AND SACRIFICE OF
WAR. RICHARD NIXON.
FROM
1965 ARMY UNITS IN VIETNAM CONSISTED OF ABOUT 50% NATIONAL SERVICEMEN
AND 50% REGULAR ARMY. ABOUT
20,000 NATIONAL SERVICEMEN SERVED IN VIETNAM.
THIS
IS PUFF THE MAGIC DRAGON IN YOUR LOCATION.
THEN
SOMEONE CALLED OUT 'CONTACT!' AND THE BLOKE BEHIND ME SWORE
WE
HOOKED IN THERE FOR HOURS, THEN A GOD - ALMIGHTY ROAR
FRANKIE
KICKED A MINE, THE DAY THAT MANKIND KICKED THE MOON
GOD
HELP ME, HE WAS GOING HOME IN JUNE
LIKE
CHICKEN MAN - THERE WERE CHARLIES EVERYWHERE!
MORE
THAN 750,000 MEN TURNED TWENTY DURING THE YEARS OF THE WAR - A BALLOT,
WITH MARBLES SPUN IN A
BARREL,
WAS USED TO HELP SELECT THOSE FOR CONSCRIPTION.
THROW
SMOKE! - I SEE GREEN - AFFIRMATIVE!
PHANTOMS
AND SPOOKY WERE INVALUABLE, BUT THE HELICOPTER GUNSHIPS GAVE THE BEST
AIR SUPPORT.
FOR
THE FIRST TIME IN MODERN HISTORY THE OUTCOME OF WAR WAS DETERMINED NOT
ON THE BATTLEFIELD BUT ON THE TV SCREEN.
OUR
FAMILY FOUND ITSELF DIVIDED OVER VIETNAM.
AS
A VARIATION WE CLOSED THE VILLAGE CORDON IN DAYLIGHT AND SEARCHED NEXT
MORNING.
WE
MUST LEARN TO UNDERSTAND NVA BUNKER SIGN - TRACKS: LATRINES, DEAD
BRANCHES, STREAMS.
AT
VAMPIRE PAD OUR OWN DOCTORS AND NURSES TOOK OVER - WE KNEW WE HAD MADE
IT.
ON
3 OCTOBER 1987, 25,000 VIETNAM VETERANS MARCHED IN A WELCOME HOME PARADE
THROUGH SYDNEY, TO THE CHEERS OF HUNDREDS OF THOUSANDS. IT WAS THE
GREATEST EMOTIONAL OUTPOURING WITNESSED IN DECADES.
On
lower right hand corner of western stele
THIS
IMAGE IS AN ENLARGEMENT
OF A PHOTOGRAPH
TAKEN BY PROVINCE
IN SOUTH VIETNAM.IT
SHOWS AUSTRALIAN SOLDIERS BEING AIRLIFTED TO NUI DAT AFTER THE
COMPLETION OF PERATION ULMARRAH.
On
top surface of memorial stone
CONTAINED
WITHIN THE CIRCLE SUSPENDED ABOVE ARE THE NAMES OF THOSE AUSTRALIANS WHO
DIED IN THE VIETNAM WAR 1962 - 1978
On
northern face of memorial stone
Insignia of
Insignia of
Insignia of
Royal Australian Air Force
Australian Military Forces
Royal Australian Navy
Above
wall on south west side of memorial
VIETNAM
Below
this on west face of wall
FOR ALL
THOSE WHO SUFFERED AND DIED .
VIETNAM .
1962 -
1973
On
plaque between westernmost and centre flagpoles on south side of
forecourt
IN THE
PRESENCE OF
THE
HONOURABLE BILL HAYDEN AC
GOVERNOR-GENERAL OF THE
COMMONWEALTH OF AUSTRALIA
AND
THE
HONOURABLE PJ KEATING MP
PRIME MINISTER
THIS
MEMORIAL WAS UNVEILED BY
LIEUTENANT GENERAL
SIR THOMAS DALEY KBE CB DSO
MR KEITH PAYNE VC
MISS BRONWYN BLUE
MRS ROBIN MAHOOD
ON
OCTOBER 3 1992
.
.
.
THE
MEMORIAL WAS ERECTED
ON BEHALF OF
THE AUSTRALIAN VIETNAM FORCES
NATIONAL WAR MEMORIAL COMMITTEE
WITH FUNDS DONATED BY
THE PEOPLE OF AUSTRALIA
.
.
.TONTONKIN
ZULACKHA HARFORD ARCHITECTS
KEN UNSWORTH AM SCULPTOR
INTEGRATED CONSTRUCTION PTY LTD BUILDER
NATIONAL CAPITAL PLANNING AUTHORITY
On
plaque between centre and easternmost flagpoles on south side of
forecourt
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The
Memorial is conceived as an open structure,
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its
centre a resonant contemplative space which
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recalls
the physical experience of Vietnam.
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The
memorial is made up of three forms inspired
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by
ancient standing stones and by the classical
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Greek
Stelae. Such forms have always symbolised
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commemoration
and contemplation, and remain
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amongst
the most durable and and potent of our
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creation.
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The
great stones stand on a shallow moat, a
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symbolic
cordon against the outside world,
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bridged
by the entry ramps.
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Above,
suspended by the stelae, is a circle or
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halo
of stones, floating in constantly changing,
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shafts
of light and shadow. A scroll containing the
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names
of those Australians who died in the
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Vietnam
war, is sealed into one of the stones of
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the
circle. The stones deny the physical past, their
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seemingly
disembodied earthliness recalls the
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sacrifices
made by the individuals who fought and
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died.
Endlessly becoming, the stones are air and light.
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The
focus of the Memorial is a larger than life
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image
etched into stone, a photograph of
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Australian
servicemen in Vietnam. Shards of
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common
memory seen and felt, emerge shining,
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durable,
out of the black granite surface of the
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wall.
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On
a second stele the written word is used as a
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reminder
of the actual and hidden realities of the
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war
expressed in contemporary quotations, both
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colloquial
and official. The third stele is blank,
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receiving
the thoughts and emotions of the visitor
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to
the Memorial.
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Surrounding
the Memorial are six seats dedicated
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to
the memory of the Vietnam servicemen who are
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Missing
in Action.
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T
Memorial
seat - south east side of memorial
East face
IN MEMORY OF
ROBERT CHARLES CARVER
MISSING IN ACTION 4.11.1970
West
face
IN MEMORY OF
MICHAEL PATRICK JOHN HERBERT
MISSING IN ACTION 3.11.1970
Memorial
seat - south west side of memorial
South face
IN MEMORY OF
PETER RAYMOND GILLSON
MISSING IN ACTION 8.11.1965
North
face
IN MEMORY OF
RICHARD HAROLD JOHN PARKER
MISSING IN ACTION 8.11.1965
Memorial
seat - north side of memorial
East face
IN MEMORY OF
JOHN FRANCIS GILLESPIE
MISSING IN ACTION 17.4.1971
West
face
IN MEMORY OF
DAVID JOHN ELKINGTON FISHER
MISSING IN ACTION 27.9.1969
Plaque
in garden bed on east side of memorial
AUSTRALIAN
VIETNAM FORCES NATIONAL MEMORIAL
Map of the world
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From 1962 to
1973, 50,000 Australians served in South Vietnam as part of a
composite
force, predominantly of American troops. The Australian
Vietnam Forces National
memorial is dedicated to all those Australians who served,
suffered and died in that conflict.
The memorial
was designed by the architectural firm, Tonkin Zulaikha Harford,
in
association with sculptor Ken Unsworth AM. It was built
largely through contributions
from the Australian people, raised by the Australian Vietnam
Forces National Memorial
Committee.
Three
concrete stelae, rising from a shallow moat, form the dramatic
centre of the memorial
and enclose a space for quiet contemplation. Fixed to the
inner right-hand wall are 33
inscriptions, a series of quotations intended to recall events of
political and military
importance. The photography etched into the rear wall shows
Australian soldiers waiting
to be airlifted to Nui Dat after the completion of Operation
Ulmarrah. Suspended from
the pillars is a 'halo' of stones. A scroll containing the
names of Australians who died in
the Vietnam War is sealed into the stone, which bears a cross.
Surrounding the memorial
are seats dedicated to the memory of the six Vietnam servicemen
missing in action.
Coat of arms of Commonwealth of Australia
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Information
current to April 2001
Sources: The Memorials of Anzac Parade,
pamphlet produced by the National Capital Authority, Canberra, undated
Dedication of the Australian Vietnam Forces National Memorial,
website, compiled 1995 by Shane
Fontana
http://www.vietvet.org/aussimem.htm (as
at 19 Feb 2000)
The Australian Vietnam Forces National Memorial, draft of
article for ANU Reporter by Ken Inglis, The Inglis
Collection in Australian War Memorial, AWM PR 00944
Canberra Times, 3 October 1992, article by Ian McPhedran
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